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・ When Ladies Meet
・ When Ladies Meet (1933 film)
・ When Ladies Meet (1941 film)
・ When Lambs Become Lions
・ When Lanes Merge
・ When Life Comes to Death
・ When Life Departs
・ When life gives you lemons, make lemonade
・ When Life Gives You Lemons, You Paint That Shit Gold
・ When Life Hands You Lemons
・ When Lightn' Strikes
・ When Lights Are Low
・ When Lights Are Low (Claire Martin and Richard Rodney Bennett album)
・ When Liking Turns to Loving
・ When Lilacs Last in the Dooryard Bloom'd
When Lilacs Last in the Dooryard Bloom'd (Hindemith)
・ When Lincoln Paid
・ When London Burns
・ When London Sleeps
・ When Lost at Sea
・ When Loud Weather Buffeted Naoshima
・ When Louis Met...
・ When Love & Hate Collide
・ When Love Begins
・ When Love Breaks Down
・ When Love Calls Your Name
・ When Love Comes Along
・ When Love Comes Callin'
・ When Love Comes Calling
・ When Love Comes Calling (EP)


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When Lilacs Last in the Dooryard Bloom'd (Hindemith) : ウィキペディア英語版
When Lilacs Last in the Dooryard Bloom'd (Hindemith)

''When Lilacs Last in the Dooryard Bloom'd: A Requiem for those we love'' is a 1946 composition by composer Paul Hindemith, based on the poem of the same name by Walt Whitman. Conductor Robert Shaw and the Robert Shaw Chorale commissioned the work after the 1945 death of President Franklin D. Roosevelt. It received its world premiere on May 14, 1946 at New York City Center, with the Collegiate Chorale conducted by Shaw and soloists Mona Paulee, contralto, and George Burnson, baritone.
David Neumeyer and others regard the ''Lilacs'' Requiem as Hindemith's "only profoundly American work."〔Sullivan, Jack (1999). ''New World Symphonies'', p.122. ISBN 978-0-300-07231-0.〕 Paul Hume said, "I doubt if we shall ever mourn Abraham Lincoln's untimely death more eloquently than in the words of Walt Whitman set to the music of Paul Hindemith; it is a work of genius and the presence of the genius presiding over its performance brought us splendor and profound and moving glory."〔Kramer, Lawrence (2000). ''Walt Whitman and Modern Music'', p.89. ISBN 978-0-8153-3154-4.〕
The work is scored for mezzo-soprano and baritone soloists, SATB chorus, and full orchestra. After an unnumbered orchestral Introduction, the text of the poem is divided into 11 movements:
# When lilacs last in the dooryard bloom'd (baritone and chorus)
# ''Arioso.'' In the swamp (mezzo-soprano)
# ''March.'' Over the breast of spring
# O western orb (baritone and chorus)
# ''Arioso.'' Sing on, there in the swamp
# ''Song.'' O how shall I warble
# ''Introduction and Fugue.'' Lo! body and soul
# Sing on! you gray-brown bird
# ''Death Carol.'' Come, lovely and soothing Death (chorus)
# To the tally of my soul
# ''Finale.'' Passing the visions (mezzo-soprano, baritone, and chorus)
The work is scored for mezzo-soprano and baritone soloists, mixed choir, and an orchestra of 2 flutes (one doubling piccolo), 2 oboes (one doubling cor anglais), clarinet, bass clarinet, 2 bassoons (one doubling contrabassoon), 3 horns, 2 trumpets, off-stage bugle, 2 trombones, tuba, timpani, cymbals, glockenspiel, chimes, tam-tam, triangle, snare drum, bass drum, field drum, organ, and strings (First & second violins, violas, cellos, and double basses).
==Sources==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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